rmxs by agnès & sam k, after her incredible release on num with ripperton, >sunshine chile< masaya comes back with another track full of emotions! the a side host the original track, in a pure minimal house style. youll find on this side too the amazing sam k rework. a fette deep & crunchy el choquero reshake, this track is an after party hurricane. on the agnès side, the funkman kill us with 2 reinterpretations: the first one comes in a pure detroit style and kills everyone on its road. massive hook synthz, catchy bassline & house styled drums… this is a pure 2007 nu anthem. the second remix is a pure agnès minimal groove. like a spiral into the deepness & minimalism. in one word .huge.

welcome to our 4th release with hot new talent tim gregor providing a rather splendid ep. you might not have heard of tim before but we reckon youll be hearing quite a bit from this talented fella in the coming months…following in the footsteps of his better known brother, mark-henning, tim takes up the minimal baton with aplomb, producing 3 tracks of teched up treats. starting with >subterrain<… a right heads down minimal groove if ever there was one, kicking off as it means to go on with a right big dollop of funk in the form of a wibbly, bowl quivering b-line and those oh so important funked up hi-hats. dollops of tripped out fx and breaks & builds aplenty keep the hips wiggling..

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

next bomb on radioslaves label !!! mr g makes a triumphant return to rekids with >u askin?< an incredible record, so difficult to categorise but destroying every dancefloor from south beach to shoreditch and berlin to san paulo. >u askin?< builds and builds from the outset and will soon be so embedded into your brain youll need surgery. live sweeps and sirens will have you dancing like world war three is kicking off around you. marcel dettmann berlin s king of the underground delivers a killer alternative

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

a brand new reworking of a track from amp fiddlers latest album, featuring the guest vocals of the uk’s biggest selling soul artist corinne bailey rae. >if i dont< is as uplifting a slice of summer pop as youll find in 2007. a 1930s ragtime inflected soulful singalong with the distinctive voices of amp fiddler and corinne bailey rae intertwined throughout the song. the single comes backed with a host of remixes featuring a spin by hip hop dons foreign beggars, a head nod to the 30s influence on the original by taylor mcferrinn (bobby mcferrinn s son) and a mix from garage and house supremeo wookie.

markus binapfl and patrick buck aka kaiser souzai are neither gangsters nor mafia members, but their name is mentioned all around the electro music scene in germany. with >girl youll be a woman soon< on rotor recordings they had their biggest hit so far. more releases like >monique< and >mythology ep< came out through rotor recordings and had similar success. ow they are back and provide us with another smashin single >to the beat< which is coming with the original version, a chopstick and a nudisco analog playboy remix..

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

david ekenbäck has developed a sound that is not what you would expect of a young swede. dynamic electro-techno, often accompanied by soft melodies, his music is thought often as an enigma to unsuspecting listeners. here he delivers two perfect examples of that. on the aside youll find this killer track. >data death< is like someone sneaking up on you in an alley and stabbing you in the back. a peak time electro raver for the likes of trentemøller, sebastien leger and great stuff.

>une pipe nest pas une pipe< is the grimey sex youll have in the corner of some dingy, rotten afterhour club. chugging build-up, mindfucking climax and brutal comedown rolled into 9 minutes of techno-dirt. >la guitarra de san miguel< shows the friendlier, mellower side of things, a beautiful guitar-lick sits atop a driving groove, held together by those stuttering hihat-breakdowns, which have made the tune a staple of every local afterhour for the last year

an unexpected limited viewlexx. only 300 copies for all the italo lovers. viewlexx delivers some raw and unique recordings from the live performance of fred ventura with alden tyrell & i-f. they reworked some old fred ventura tracks and played it on a cbs party in rotterdam and on the lowlands festival in 2005. this is a recording of that hot steamy night in rotterdam with great italo disco classics such as body heat, streets allright, youll never change no more and wind of change. cool

the original of special powers is a throbbing beast of a track that s just crying out to be played on a big room soundsystem where itll wreak complete havoc! twisted, psychedelic s**t from outer space is one way to describe it! shur-i-kan calms things down a bit for his latin workout mix, but only a bit! tight brazilian beats keep things grooving while the layers of tripped out keys and fx swirl around on this alternate version. finally we see milton jackson revisit i want it so he can turn it upside down and inside out creating a darker, more tribal version for the headz. all in all another fine collection of underground goodness that we re sure youll get plenty of use out o

attention please ! we are about to introduce a new brother to our antipop family, joystick experience, a long time compatriot and musician with c-rock s >release-music< label. after inspiring tunes on trapez rec. and philter rec. (tokyo), joystick experience comes up with his sixth release >dirty fingers< and adds a few new fantastic flavours to the antipop menu. youll find up-to-date minimal techhouse elements combined with funky retro 80ies inspired synthesizer melodies that keep your butts moving ! a nice one

jacek sienkiewicz delivers two head candies that no doubt could make some south-american microhouse masters think about updating their sound.. youll get two pieces of precise, thoughtful, contemporary music that is equally bound to move you in the club and comfort at home.. great!!

brandnew john dahlbäck label!! the a-side outside features straight techno beats & rough and dirty bass riffs, which definitely show no mercy. on the flip youll find stripped down bassline workouts with that special sweden touch, that we all love so much…. this simply fits into the boxes of the global techno neo rave maniac elite.. manos arriba! here comes the ne pistolero!

aka metaboman and carlsn basu from the infamous musik krause. on 'kristallsemmel' youll witness the slowest rave-track ever, with a twisted bass-signal winding around an endless grooveàfar out shit! 'kingpult' on the flip is a session with ààà.on keys, while metaboman is droppin in and out a his rhythm-architectureà. hypnotic and cosy..) music for believers

number ten in the sub-wave series is a minimal/ acid bomb with a deep and brainfrying basshook and swirling psychosounds with a little more herbs from 303. on the bside youll find a deep acid-monster that will make the ladies want to sit on the speakers

acid is obviously not just the big thing of the moment down here. and if you cant get down to the dirty rolling booty bass, the manic scratches and the acid bleeps and blops massaging your psyche youll surely be bitten by those barking galactic dogs.after prior releases on labels like playhouse et al it s finally time for some wild wild eastern rave soundtrack. quite a dancefloor mayhem

when you thought you heard it all... this drops down as a bomb! this is part 2, and the last in the sway-10-series. this white-colored vinyl brings you some fantastic stuff. cave starts the record with a true bomb! next in line is tim track, an upcoming swede, that youll here more of after this remix! truly amazing. v. kanzyani brings on the full force and energy in this mix

frankie flowerz is berlin based mohan das. >the key< is a solid, late night, bubbling acid groover, but as the intensity builds youll find the break is just the one to make sure you are still concentrating. key dj support already gained from rob mello, ivan smagghe, dan ghanacia, glimmer twins, felix da housecat!

one sided 10inch release from detroits esteemed moods & grooves label. this release is pure class, with a gorgeous female vocal working it over a nice rhodes-styled deep groove with some soft percussion. if youre feeling larry heards recent stuff, youll definitely be digging this release! shari vari lyrics

second volume from the yacht soul series

reissue, original album was recorded in 1997

16 soulig, funkige interpretationen der sanften klassiker der west coast aor/yacht laurel canyon hippies (tracks von fleetwood mac, doobie brothers, the beach boys, toto, steely dan, hall & oates u.v.m.) werden u.a. gecovert von quincy jones, chaka khan, aretha franklin, greg phillinganes, the brothers johnson u.v.m.!

2xcd compilation! cd 1 mixed, cd 2 unmixed

few creative geniuses epitomize the tabansi labelÕs broad-stroke approach to music than the late nkono teles.

the godfather of house for his unrivalled contribution to the house music we know today what started as an underground movement in chicago has grown to international heights thanks to frankie

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

benjamin wallfisch gilt als einer der renommiertesten filmkomponisten seiner generation. seine arbeiten fŸr filme von top-regisseuren wie steven spielberg, rupert wyatt, gore verbinski oder lars von trier erhielten zahlreiche auszeichnungen und nominierungen (oscar, golden globe, emmy, bafta, world soundtrack awards). jetzt liefert er den score zur neuverfilmung des stephen king-klassikers it (es) ab, der im original 1990 als fernseh-zweiteiler erschien. der film wird bereits seit monaten heftig angetrailert (sein offizieller deutscher youtube-trailer generierte bislang Ÿber 2 mio. klicks) und gilt als eines der highlights der kinosaison herbst 2017. der it soundtrack erscheint als doppel-cd (38 tracks) und einen monat spŠter als gatefold-doppel-lp (29 tracks) und limitierte picture-disc-lp (18 tracks

double cd feat. tracks anc exclusive edits from the jammers, skyy, love committee, charo, double exposure and loleatta holloway. mastermixed by dimitri from paris

this tenth volume is every bits as essential as its predecessors, opening with the twin attractions of the public image limited and the b-52s. elsewhere, youll find a dash of eurhythmics, the synth-laden instrumental soul-funk hustle of strut, some killer disco sweetness and a trio of brilliant boogie selections

a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)

das neue album der ephemerals, -chasin ghosts-, ist der nachfolger ihres erfolgreichen albumdebŸts -nothing is easy-, mit dem sie u.a. auf dem glastonbury festival, bestival und mostly jazz live performt haben. obwohl die band mit ihrer 7-mann-besetzung einer klassischen soul-band gerecht wird, haben sie auf -chasing ghosts- elemente aus jazz, rock und hip hop mit nachdenklichen, aber auch energiegeladenen texten kombiniert. ephemerals sind hierbei nie verlegen auch die dunklen themen anzusprechen, lassen dabei aber nie das licht aus den augen, ganz gleich ob sie Ÿber (verlorene) liebe, depression, weltpolitik oder philosophie reden. prŠsentiert wird das album mit shows in london, amsterdam, brŸssel, berlin und paris gefolgt von einer europatour im januar.

for the second installment of their mixtape series, hospital records has turned to devonian duo fred v and grafix, who epitomize the label s festival-friendly outlook. they don t disappoint, either, dropping an action-packed mix that shoehorns 32 tracks into an hour of non-stop dancing fun. after kicking off with the guitar laden hip-hop wooziness of cyantific s high water mark and dimension s tear-out beast whiplash, they variously touch on liquid, hospital style disco drum and bass, and harder flavours. happily, they find room to include eight exclusives from a variety of producers, including a previously unheard vip re-work of their own summer smash major happy

from pop-infused songwriter house to highly emotive prime time anthems, youll find lots to love.

brownswood cast their net over 14 fine and thoroughly up-to-date electronic funk productions of all shades from djg, synkro & indigo, jus wan, funk ethics, hxdb, stray, monky, ta-ku, dj dials, and more. highlights have to synkro & indigos mid-tempo garage excursion knowing you and strays highly crafty consolidaion of footwork and d&b modes on break your legs, which is actually slicker than the title infers. wed also have to big up jack dixons heart-racing house number by my side, and the beautifully tailored minimalism of jus wans miles away, while elsewhere youll find melodic, flighty d&b from frederic robinson, techy garage calculations from funk ethics, lurching dubstep from djg and seductively warm electronic house by anenon.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

five classic artist albums in wallets housed in a new slipcase. nice and simple, no frills just great music! includes circle of love (1975), together (1977), we are family (1979), love somebody today (1980) and all american girls (1981).

cocker kicks off a collectable series of bargain-priced finders keepers compilations made to support the label in light of the recent warehouse fire at pias north london depot. a long time fan of the label and their doings, he was granted full access to rifle their catalogue and hes picked some absolute treats for ya, including, if were not mistaken, some which have never appeared on cd before. to start theres the perspicacious poetics of carol battens beeing, besides the legendary pseudo j-pop of yamasuki (made by none other than thomas -daft punk- bangalters dad!), besides a first cd appearance for jacky chalards super man, super cool from the cache cache 12-. youll also find a nugget from the stone soundtrack, one of the labels finest moments from amrals trinidad cavaliers steel drum orchestra, the glam prog of gongs rational anthem, balearic prog from fusioon, tender folk from jane weaver with wendy flower, and a bonus moment in jean claude vanniers au desepoir des singles. top picks, well recommended!

the legendary dj maxxi disco energia and energia buia tapes, highly coveted by his obsessive fans and thought lost for several years, have been re-discovered, re-mastered and made commercially available for the first time ever. only previously the ownership of a select few enthusiasts these tapes held legendary status amongst certain individuals, only ever spoken of in hushed tones, these two volumes (this being volume one) serve as a quintessential guide to the italio disco phenomenon. once heard, never forgotten these are some of the finest dj mixes that youll ever have the privilege to hear. peppered with classics and underground gems, the composure and construction of spaghetti disco classics are truly outstanding. the mixes have been dusted off and cleaned up for new millennium heads to enjoy. so bathe your ears in their magnificence as you transported away to northern italy in the early 1980s enjoy disco energia Ð spaghetti disco classics volume one, volume two to follow shortlyÉ. please note this is a very limited release available for one time only

just in time for the summer, trans air records brings you a simmering compilation disc of carribbean diso heat that will keep dance floors packed all day and all night. 12 choice cuts from the likes of billie cole, bobby raven, el cid and casual toffer something for all tastes, from soca to dance hall and more, but no matter what it is, expect only the best. this is the only album youll need to keep things hot the whole summer long... tip!!

mr james bright has been described as one of the top >hip hop folk rockers< and big sounds from small spaces does everything to support that nomination.as a testimony to james talent, his long-time idol, shawn lee (ubiquity records), agreed to appear on the album after hearing some of the early tracks. shawn has provided sound tracks for several hollywood blockbusters, as well as writing dozens of pop-soul hits.

the sound of phenomenal handclap band is an anthemic, dancefloor-oriented blend of progressive rock, disco, electro, and 60s soul with sprinklings of hip hop-styled orchestral breakbeats and moody, synth-soaked & heavy hooks.a rock spectacle-supergroup that really is not to be missed!

a state of trance 2009 is armins special selection of exclusive, unreleased tracks, new remixes or approaches and top notch trance tracks, all qualified with the signature asot sound. a state of trance 2009 also means the return of armins gaia moniker. with a brand new track, >tuvan<, armin finally produced a follow-up to the legendary >4 elements<. besides armins own input, youll also find new tracks by andy moor, sunlounger, the blizzard, john ocallaghan, tydi, aly & fila, signum, robert nickson and many more. divided onto two disc, a total of 29 tracks will provide you all the right sounds to get into that state of trance. the first cd covers the >on the beach< theme, with a spellbinding intro and purely melodic oriented sounds, while the second disk, >in the club<, breaths one of armins club sessions, with a distinctive peak-time sound.